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Green and Edwards
assembled a group of artists and others interested in art and
history at 220 Belvin Street on March 22, 1924 to form the San
Antonio Conservation Society. They wanted members from all
parts of the city so that a clique would not control the
organization. The group of 13 elected Emily as its first
president. They decided "the object of this society is to
cooperate in the preservation of the Missions, to conserve Old
Buildings, Documents, Pictures, Names, Natural Beauty, and
anything admirably distinctive to San Antonio." Its goal was
"cultural conservation." And they framed their reports with
artists' eyes: Twohig House; Adobe Home on Villita Street
occupied by Augusta J. Evans while writing Inez, Child of the
Alamo; Pecan Trees and Playgrounds in Parks; Governor's Palace
and San Antonio Legends; Old Spanish Nomenclature, Jacales in
Brackenridge Park and Old Spanish Art; Selective Study of
Special Buildings; Old Doors and Entrances; Old Adobe Houses
and the Vance Home.
As Lewis Fisher pointed out in Saving San Antonio, Rena Green
and Emily Edwards "were not the first trying to save the type
of landmark of concern to preservationists elsewhere in the
nation - a grand old home or meeting hall or fortress
recalling the days of some famous patriot or heroic struggle.
The San Antonio ladies focused on saving something unknown to
be worth saving - a commercial building." Efforts to save the
Market House that no longer served its original purpose
involved trying to raise sufficient funds to purchase it for a
city museum. But all was for naught when the city widened the
street and decided not to tunnel under the building but to
widen the proposed bypass cut to improve flood carrying
capacity. The Society lost its first major battle to save a
building, but continued to advocate conservation of the
peculiar character and charm of San Antonio's buildings and
customs in creative and inventive ways.
In September 1924, after sketching the Commissioners at their
weekly meetings, the ladies presented a play called, ”The
Goose with the Golden Eggs.” They performed their play after
the commissioners’ regular meeting with puppets crafted to
look like the men themselves. The commissioners of the play
were called upon to
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